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艺术形式的多样性既在一定时期受制于社会背景的瓶颈之内，另一方面也有可能发展出与社会轨道极其相异的新型母题。当代艺术的塑形以及其对应的诠释语言的产生和变体，在不同的地理场域（zone）中产生了特殊的“化学反应”。进入20世纪90年代以来，艺术的反思是在社会、大众、限制性空间（limited space）之间拉锯，艺术是创作平台还是表演媒介，是自省还是自我，甚至是“日常的欢愉”，都值得艺术工作者的进一步思量和考察。
新型创意产业中动漫美学的发展历程既具备了足够的历史积累并成为历史元素，又在弹性的时空环境内得到具体的展现。无可否认的是，一直延续至今的艺术与通俗/流行的关系，在动漫艺术中更加展现得淋漓尽致：最原始的艺术手法，都市社会中时间和空间“边缘”的群体影像，从流行到动漫再到艺术，批论者们或刻意对立了流行与艺术，或极力贬斥动漫空泛的价值观念。然而无论是杜尚的“现成品”，还是波普艺术者的概念艺术，都在突破之中。村上隆(Takashi Murakami）更一针见血地道破：高尚和低俗艺术之间的代沟现在已经消失了，一个“超平面”的概念已经诞生了。（“The gap between high and low cultures is now almost gone. In a literal sense, a ‘superflat’ has emerged.”）从视觉符号的简单挪用，到现实题材的原创道路，新一代动漫艺术家更灵活自如甚至创造性地使用概念模件（module），对媒介物质的系统化梳理，同时也具有了更集中的主题表达，换而言之，是在消解商品、艺术品界限的同时，建立了自身的美学理论。
本论文的写作可以视作一种作为对比的中国经验，一个定位和研读中国图像的读本，以及一次援引“童真”艺术（naive art）了解和认识东方艺术的回顾历程。在参与、经历、反省、超越的过程之中，笔者更愿意以严谨的历史态度冷静地观察和分析“卡通一代”，作为一个当代艺术图象的聚焦点，作为一个一直在写作和被写作的艺术语言，作为一个承接了政治波普、艳俗艺术、边缘文化、流行与消费等混沌经验的时新理想，理清它的发展脉络，分析其创作动机与行为表演，无疑是对20世纪90年代以来这一个不能回避的艺术图谱的最佳总结。同时，通过对“卡通一代”与艳俗主义、新生代艺术以及“超平面”观念下的日本卡通发展的对比，通过对当代“卡通一代”之外关注“童真”艺术（naive art）创作的作品展示，呈现出艺术史领域中这一时新的艺术谱系。

Answer 1

The diversity of art forms, both in a certain period of time subject to the social background of the bottleneck, on the other hand may also develop a very different social orbit a new motif. The shaping of contemporary art and its corresponding interpretation of language generation and variations in different geographical field (zone) in a special "chemical reaction." The beginning of the 20th century, since the 1990s, the art of reflection in the social, public, restricted space (limited space) between the see-saw, and art performances or media creation platform, or is self-introspection, or even "the daily joy", Artists worthy of further consideration and study.
New creative industries in the development process of animation aesthetics there are a sufficient accumulation of history and become a historical elements, and in a flexible environment within the specific time of the show. It is undeniable that has continued since the arts and popular / popular, in animation art displayed most vividly in the more: the most primitive art practices, urban society in time and space "marginal" groups of images, from pop to Animation and then to art, or approved of those who deliberately confrontation with the popular arts, animation or strongly Bianchi vague values. But whether Duchamp's "is finished" or Pop Art, the concept of art, are among the breakthrough. Murakami-long (Takashi Murakami) more sharply Daopo: noble and vulgar art of the generation gap between now has disappeared, a "super-flat" concept was born. ( "The gap between high and low cultures is now almost gone. In a literal sense, a 'superflat' has emerged.") From the visual symbol of simple embezzlement, subject to the reality of the original road, a new generation of animation artists more flexibility ease Even creative use of the concept module (module), the media systematically combing the material, but also with a more concentrated expression of the theme In other words, in the digestion of goods, works of art at the same time limits, to establish its own aesthetic theory.
This paper can be regarded as a kind of writing as a contrast to the Chinese experience, a study China's image and positioning of Reading, and cited a "innocence" Art (naive art) knowledge and understanding of the history of Oriental Art. In participation, experience, reflection, beyond the process, the author more willing to stringent attitude to stay calm in the history of observation and analysis "cartoon generation", contemporary art as a focal point of the image as a has been writing and writing Language arts, as a political undertaking of the Pope, Yan Su art, marginal culture, popular and consumer experience, and so chaotic when the new vision, clarifying the context of its development, motivation and creativity of their behavior shows, is no doubt in the 20th Century 90 It's been a pattern of art can not be avoided in the best summed up. At the same time, the "cartoon generation" and Yan Su, and arts and the new generation of "super-flat" concept of the development of the Japanese cartoon contrast, through the contemporary "cartoon generation" of concern "innocence" Art (naive art) Creation of Works display, and display in the field of art history at this new art pedigree.

Answer 2

The diversity of art forms, both in a certain period of time subject to the social background of the bottleneck, on the other hand may also develop a very different social orbit a new motif. The shaping of contemporary art and its corresponding interpretation of language generation and variations in different geographical field (zone) in a special "chemical reaction." The beginning of the 20th century, since the 1990s, the art of reflection in the social, public, restricted space (limited space) between the see-saw, and art performances or media creation platform, or is self-introspection, or even "the daily joy", Artists worthy of further consideration and study.
New creative industries in the development process of animation aesthetics there are a sufficient accumulation of history and become a historical elements, and in a flexible environment within the specific time of the show. It is undeniable that has continued since the arts and popular / popular, in animation art displayed most vividly in the more: the most primitive art practices, urban society in time and space "marginal" groups of images, from pop to Animation and then to art, or approved of those who deliberately confrontation with the popular arts, animation or strongly Bianchi vague values. But whether Duchamp's "is finished" or Pop Art, the concept of art, are among the breakthrough. Murakami-long (Takashi Murakami) more sharply Daopo: noble and vulgar art of the generation gap between now has disappeared, a "super-flat" concept was born. ( "The gap between high and low cultures is now almost gone. In a literal sense, a 'superflat' has emerged.") From the visual symbol of simple embezzlement, subject to the reality of the original road, a new generation of animation artists more flexibility ease Even creative use of the concept module (module), the media systematically combing the material, but also with a more concentrated expression of the theme In other words, in the digestion of goods, works of art at the same time limits, to establish its own aesthetic theory.
This paper can be regarded as a kind of writing as a contrast to the Chinese experience, a study China's image and positioning of Reading, and cited a "innocence" Art (naive art) knowledge and understanding of the history of Oriental Art. In participation, experience, reflection, beyond the process, the author more willing to stringent attitude to stay calm in the history of observation and analysis "cartoon generation", contemporary art as a focal point of the image as a has been writing and writing Language arts, as a political undertaking of the Pope, Yan Su art, marginal culture, popular and consumer experience, and so chaotic when the new vision, clarifying the context of its development, motivation and creativity of their behavior shows, is no doubt in the 20th Century 90 It's been a pattern of art can not be avoided in the best summed up. At the same time, the "cartoon generation" and Yan Su, and arts and the new generation of "super-flat" concept of the development of the Japanese cartoon contrast, through the contemporary "cartoon generation" of concern "innocence" Art (naive art) Creation of Works display, and display in the field of art history at this new art pedigree.