2015-2016é«äºè±è¯å¨æ¥å¤ç çBook 8 Module 6 åèçæ¡åé¨å解æ
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1-5 CBACA 6-10BACAC
11-15 AABBC 16-20ABACC
21-25 ACABD 26-30AABCB
31-35 CBBDC 36-40CBDGE
41-45 DACBA 46-50DCADB
51-55 ABCDC 56-60BADCB
61. to understand 62.what
63. It 64. werepublished
65. hearing 66. as
67. that / which 68. a
69. personally 70.kindness
çææ¹éï¼
71. ... paid the visit to ... theâ a
72. ... what is known ... what â which
73. ... their tour guides. guides â guide
74. ... spoke high of ... highâ highly
75. ... the freezing surface ...
freezing â frozen
76. ... we decided leave ... decidedåå to
77. ... catch our eye. catchâ caught
78. ... experience with him ... him â them
79. On fact ... On â In
80. ... and so as to ... å»æand
One possible version:
This short poem describes a real-lifesituation. Very often, we try our best to do something, but unfortunately theresult is not what we expect. What should we do next? Keep trying and nevergive up.
I was impressed and inspired by the poem.Though very short, it teaches us about how to deal with failures. Life is notalways smooth. Sometimes we pay a lot but harvest little. However, we shouldn'tlose heart. If we stay cheerful and keep going, we'll succeed in the end.
I like this poem very much.
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21. Aãç»èç解é¢ãç±Opening timesé¨åä¸çMondaysCLOSEDå¯ç¥ï¼Parkside Farmå¨å¨ä¸ä¸å¼æ¾ã
22. Cãç»èç解é¢ãç±Pricesé¨åä¸çThere is a minimumcharge of £3 for each adult or child who enters the Pick Your Own areaå¯ç¥ï¼å 1å
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23. Aãåä½ç®çé¢ãç±ç¬¬ä¸æ®µä¸ç... for you to come and pick your own. Why not pay us a visit?以åæä¸çæè¿°å¯ç¥ï¼æ¬æä»ç»äºè±å½ä¼¦æ¦æ©è²å°å¾·åºçä¸å¤éæå°çæ
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24. Bãè¯ä¹çæµé¢ãç±ç¬¬äºæ®µä¸çSince then, to my surprise, I've never seen the same shoebox appeartwice from the roomå¯ç¥ï¼ä½è
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25. Dãç»èç解é¢ãç±ç¬¬ä¸æ®µä¸çOne summer night I walked through a wood with my grandfatherï¼å第äºæ®µä¸çWhen we came in from our walk ... After that day, I often joined mygrandpa to learn about my French-Canadian ancestryå¯ç¥ï¼ä½è
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26. Aãç»èç解é¢ãç±æåä¸æ®µä¸çbits of ancestors' life stories became increasingly challenging touncover as we dug deeper into the pastå¯ç¥ï¼ä½è
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27. Aãæ é¢å½çº³é¢ãé读å
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28. Bãæ¨çå¤æé¢ãç±ç¬¬ä¸æ®µä¸çgot me thinking about the link between films and trends in fashionåEveryone from Madonna to middle-aged men have been seen wearing theclassic leather motorcycle jacketå¯ç¥ï¼ä½è
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ãæ¯ä¸ºäºè¯´æçµå½±ä¹å¯ä»¥å¼é¢ä¸ç§æ¶å°æ½®æµã
29. Cãæ¨çå¤æé¢ãç±ç¬¬äºæ®µä¸çAudrey Hepburn, more than any other film star, still influenceswomen's fashion with her âTiffany'sâ lookå¯ç¥ï¼å¥¥é»ä¸½Â·èµ«æ¬å¯¹å¥³æ§æ¶å°æçæ大çå½±åã
30. Bãç»èç解é¢ãç±åæ°ç¬¬äºæ®µä¸çThe film has also led to a renewed interest in kimonoså¯ç¥ï¼è¿é¨çµå½±å¼èµ·äºäººä»¬å¯¹åæçå
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31. Cãæ¨çå¤æé¢ãç±æåä¸æ®µWhat fashions from films have influenced you? Email your answer
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32. Bã段è½å¤§æé¢ãç±ç¬¬äºæ®µä¸çworked as a printer's learner, a worker, and a teacheråhe gave up teaching to pursue a full-time career as a journalist andpoetå¯ç¥ï¼è¯¥æ®µä¸»è¦è®²è¿°äºæ ç¹æ¼æ©æçèä¸ç涯ã
33. Bãç»èç解é¢ãç±ç¬¬ä¸æ®µä¸çhis arrival onto the American literary scene was met withcontroversyåno commercial publisherwould print the work以åWhitmanpublished, at his own expense, the first edition of his collection of twelvepoemså¯ç¥ï¼å½æ ç¹æ¼ä½ä¸ºè¯äººåºç°å¨ç¾å½æå¦çæ¶å¼èµ·äºæ大çäºè®®ï¼æ²¡æåä¸åºçååºçä»çè¯éï¼ä»åªå¾èªè´¹åºçãèå¶éãã
34. Dãæ¨çå¤æé¢ãç±åæ°ç¬¬ä¸æ®µä¸çIn his work, Whitman moves from conventional patterns of rhyme tocreate a unique rhythm and a multi-layered, but truly American voiceå¯ç¥ï¼æ ç¹æ¼å¨ä½åä¸æå¼äºä¼ ç»çéµå¾æ¨¡å¼ï¼åé äºä¸ç§ç¬ç¹çèå¥ãä¸ç§å¤å±æ¬¡çç¾å½å£°é³ã
35. Cãæ¨çå¤æé¢ãæåä¸æ®µä¸»è¦æ»ç»äºæ ç¹æ¼çè´¡ç®ï¼ä»æ çæ¯ç¾å½æåå²å形象çä¸é¨åï¼ç±æ¤å¯ç¥ï¼ä½è
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36. Cãç±ä¸æååºçåæ¥è®°ççå¤å¯ç¥ï¼C项âå¼å§åæ¥è®°ï¼å¼å§æåå¦ä¸ç好å¤â符åæ¤å¤è¯å¢ã
37. Bãç±æ¬æ®µä¸çget to know what makes you feel happy and confidentåbecome clear about situations and be able to recognize people whowill not get on with youå¯ç¥ï¼æ¬æ®µä¸»è¦è¯´æåæ¥è®°è½å¸®å©ä½ æ´å¥½å°äºè§£èªå·±ã
38. Dãç±æ¬æ®µç主é¢å¥Reduce stress以å该段ä¸çhelps torelease your feelingså¯ç¥ï¼D项âè¿æ ·åä½ ä¼æè§æ´å¹³éãæ´è½æ´»å¨å½ä¸â符åæ¤å¤è¯å¢ã
39. GãG项ä¸çsolutionsåunsolvable problemsä¸è¯¥æ®µç主é¢å¥Solveproblems more effectivelyç¸å¼åºã
40. Eãç±è¯¥æ®µä¸»é¢å¥Resolve disagreements
with otherså¯ç¥ï¼E项âä½ å¯è½ä¼æ³åºä¸ä¸ªåç解å³å²çªçåæ³â符åæ¤å¤è¯å¢ã
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41. Dãç±ä¸æä¸çwhen I have nothing to write them down onå¯ç¥ï¼âæâæ好ççµææ»æ¯å¨æâä¸æ¹ä¾¿çï¼inconvenientï¼âæ¶åæ¥å°ã
42. Aãç±ä¸æä¸ä½è
çå°çæ¯è²ä»¥åI was still a half-mile away from my carå¯ç¥ï¼âæâæ£æ²¿çæ¹è¾¹âèµ°ï¼walkingï¼âã
43. Cãç±ä¸æä¸çI smiledå¯ç¥ï¼æ¤å¤åºå¡«full ofï¼è¡¨ç¤ºâæ ä¸æ»¡æ¯å±æçå°é¸âã
44. Bãç±æä¸çæè¿°å¯ç¥ï¼æ¹è¾¹çæ°å´ä½¿äººâæè§ï¼feltï¼âå®å®ã
45. Aãç±è¯¥ç©ºåçsmiledå¯ç¥ï¼âæâå¾âæ¾æ¾ï¼relaxedï¼âã
46. Dãç±è¯¥ç©ºåçthe idea for a new story以å该空åçappearedå¯ç¥ï¼ä¸ä¸ªçµæâçªç¶ï¼suddenlyï¼âååºæ¥äºã
47. Cã48. Aãç±è¯¥å¥ä¸çmy aging brainåI got thereå¯ç¥ï¼âæâæ
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49. Dãç±ä¸æä¸çwashing the ... off my handå¯ç¥ï¼âæâæ¿åºç¬ï¼æè¿ä¸ªçµæåå¨âæï¼handï¼âä¸ã
50. Bãç±ä¸ä¸æçæè¿°å¯ç¥ï¼éåâæâæè¿ä¸ªâçµæï¼inspirationï¼âåå°çº¸ä¸ã
51. Aãç±ä¸æä¸çstarted writing it down on my ...å¯ç¥ï¼âæâææä¸çâå迹ï¼writingï¼âæ´æã
52. Bãç±ä¸æä¸çhear Life's inspiration and guidance in your heart and mindå¯ç¥ï¼âæâä¸ç¦é®ä¸ºä»ä¹çæ´»æ»æ¯å¨æå¥æªçæ¶åè·âæâçâå¿ï¼heartï¼â对è¯ã
53. Cãç±ä¸æä¸çBecause that is the only time you are listeningå¯ç¥ï¼âæââå¬å°ï¼heardï¼âäºå¿ä¸ççæ¡ã
54. Dãç±ä¸æä¸çAll we have to do is listenå¯ç¥ï¼å¦ææ们æ³è¦å¬å°çæ´»çå¯ç¤ºï¼é£æ们就åºè¯¥éä¸å´ï¼ééâèå¬ï¼listenï¼âã
55. Cãç±ä¸æä¸çin the quiet of the stormå¯ç¥ï¼çæ´»å¨æ们ççµéâå¯éï¼silenceï¼âæ¶ä¸æ们交æµã
56. Bãç±ä¸æä¸çspeaks to us以å该空åçin thequiet of the stormå¯ç¥ï¼çæ´»å¨é£æ´çå®éä¸åæ们âä½è¯ï¼whispersï¼âã
57. Aãç±ä¸æä¸çhear Life's inspiration and guidance in your heart and mind以å该空åçyour own noiseå¯ç¥ï¼è¦å¨å¿éå¬å°çæ´»çå¯ç¤ºåæ导ï¼ä½ å¾âå
³æï¼shut offï¼âèªå·±çåªé³ã
58. Dãç±ä¸æä¸çLife's inspiration and guidanceå¯ç¥ï¼çæ´»æ»æ¯åå¤å¥½ç±æ们ãæ¿å±æ们ãâå¼å¯¼ï¼leadï¼âæ们ãæé«æ们ã
59. Cãç±æä¸çæ述以å常è¯å¯ç¥ï¼âéè¿ï¼throughï¼âæ们çææ³ãç»ååçæ´»ï¼æ们è½æåå°çæ´»èµäºæ们ççµæã
60. Bãç±ä¸æä¸çshut upå¯ç¥ï¼æ们è¦åçå°±æ¯æå¼å¿çµãéä¸âå´ï¼mouthsï¼âã
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61. to understandãèæ¥ä¸å®å¼çç¨æ³ãå¨âsth. + be +形容è¯+ to doâå¥å¼ä¸ï¼ä¸å®å¼ç¨ä¸»å¨å¼è¡¨è¢«å¨æä¹ã
62. whatãèæ¥è¿æ¥è¯ã设空å¤å¼å¯¼å®¾è¯ä»å¥ï¼ä¸å¨ä»å¥ä¸ä½wroteç宾è¯ï¼è¡¨ç¤ºâä»æåçâï¼æ
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63. Itãèæ¥itçç¨æ³ãæ¬å¥æ¯å¼ºè°å¥ï¼å¼ºè°æ¶é´ç¶è¯notuntil seven years after his deathï¼æ
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64. were publishedãèæ¥ä¸è¬è¿å»æ¶ç被å¨è¯æãç±å¥ä¸çæ¶é´ç¶è¯å¯ç¥åºç¨ä¸è¬è¿å»æ¶ï¼ä¸playsä¸publishä¹é´æ¯è¢«å¨å
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65. hearingãèæ¥å¨è¯-ingå½¢å¼ä½å®¾è¯çç¨æ³ã设空å¤ä½withoutç宾è¯ï¼ä¸peopleä¸hearä¹é´æ¯é»è¾ä¸ç主è°å
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66. asãèæ¥ä»è¯ãuse sth. as ...æ为âå°æç©ç¨ä½â¦â¦âã
67. that / whichãèæ¥å
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68. aãèæ¥ä¸å®å è¯ãæ¬å¥ä¸ºâwhat + a(n) +形容è¯+åæ°å¯æ°åè¯âææçæå¹å¥ï¼æ
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69. personallyãèæ¥å¯è¯ã设空å¤ä½ç¶è¯ï¼ä¿®é¥°æ´å¥è¯ï¼æ
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70. kindnessãèæ¥åè¯ã设空å¤ä½ä»è¯ofç宾è¯ï¼æ
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1. Bãç»èç解é¢ãç±ç¬¬ä¸æ®µä¸çunable to read and writeå¯ç¥ï¼Fong See没æåã
2. Aãæ¨çå¤æé¢ãç±ç¬¬äºæ®µå
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3. Bãæ¨çå¤æé¢ãç±ç¬¬ä¸æ®µä¸çFong Seeæ为å人è¡çåå人åå¨ç¾å½ç¬¬ä¸ä¸ªæ¥æ汽车çå人å¯ç¥ï¼ä»å®ç°äºå¨ç¾å½éè¿å³å¨è·å¾è´¢å¯åè£èªç梦æ³ã
4. Dãè§ç¹æ度é¢ãç±åæ°ç¬¬ä¸æ®µä¸çI made him go back the next day with a gift of a perfect orange andan apologyå¯ç¥ï¼ä½è
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5. Cãæ¨çå¤æé¢ãç±ç¬¬å段ä¸çBut there's a deep core that connects us to our peasant ancestors以åæåä¸æ®µå¯¹ä½è
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6. Cãç»èç解é¢ãç±ç¬¬ä¸æ®µä¸çHow did the earliest birds take wingå第äºæ®µä¸ça talent that could have helped their ancestors learn to flyå¯ç¥ï¼è¯¥ç 究å¸æåç°ææ©çé¸ç±»æ¯å¦ä½å¦ä¼é£è¡çã
7. Dãç»èç解é¢ãç±ç¬¬äºæ®µä¸çFrom day one, post-hatching, 25 percent of these birds can basicallyroll in midair and land on their feet when you drop themå¯ç¥ï¼ååµåºæ¥çç³é¸¡å¹¼é¸ä»çªéæä¸æ¥æ¶ï¼æååä¹ä¸å¯ä»¥å¨ç©ºä¸æå¨ç¿
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9. Aãç»èç解é¢ãç±åæ°ç¬¬ä¸æ®µä¸çThese abilities develop veryquickly after hatching, and occur before other previously described uses of thewings, such as for weight supportååæ°ç¬¬äºæ®µä¸çmidairmaneuverability appeared earlier than the development of flapping flightårighting using uncoordinated wing flapping is a very early developmentå¯ç¥ï¼å¨é¸ç±»çé£è¡åå±è¿åè¿ç¨ä¸ï¼å®ä»¬å
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