肖邦编号作品（一）
Rondo Op. 1
For pianoforte in C minor, Op. 1 (BI 10) composed 1825/5.
The work has been erroneously called "Rondeau on 'Don Giovanni'"
Variations on a theme from Mozart's 'Don Giovanni' ('La ci darem la mano') Op. 2
For pianoforte & orchestra in B Flat Major, Op. 2 (BI 22) composed 1827/summer late.
Polonaise Op. 3
For pianoforte & cello in C Major, Op. 3 (BI 41) composed 1829/10/20 - 1829/10/28.
There exist arrangements for pianoforte solo, for pianoforte & cello OR violin, for pianoforte & viola, for pianoforte & flute. These arrangements are not Chopin's. For details see Brown (1960) p. 41.
Introduction to the Polonaise Op. 3
For pianoforte & cello in C Major, Op. 3 (BI 52) composed 1830/4.
Sonata Op. 4 (posth.)
For pianoforte in C minor, Op. 4 (BI 23) composed 1828/early.
The inscription on the autograph says "oeuvre 3", which is incorrect.
Rondo a la Mazur Op. 5
For pianoforte in F Major, Op. 5 (BI 15) composed 1826.
Mazurka Op. 6, 1
For pianoforte in F sharp minor, Op. 6, 1 (BI 60) composed 1830/late.
Mazurka Op. 6, 2
For pianoforte in C sharp minor, Op. 6, 2 (BI 60) composed 1830/late.
Mazurka Op. 6, 3
For pianoforte in E Major, Op. 6, 3 (BI 60) composed 1830/late.
Mazurka Op. 6, 4
For pianoforte in E flat minor, Op. 6, 4 (BI 60) composed 1830/late.
Mazurka Op. 7, 1
For pianoforte in B Flat Major, Op. 7, 1 (BI 61) composed 1830-31.
Mazurka Op. 7, 2
For pianoforte in A minor, Op. 7, 2 (BI 61) composed 1830-31.
for the 1st version see BI 45
Mazurka Op. 7, 3
For pianoforte in F minor, Op. 7, 3 (BI 61) composed 1830-31.
Mazurka Op. 7, 4 (1st version)
For pianoforte in A Flat Major, Op. 7, 4 (BI 7) composed 1824..
This is the first version of BI 61 = Op. 7, 4
Mazurka Op. 7, 4
For pianoforte in A Flat Major, Op. 7, 4 (BI 61) composed 1824.
Mazurka Op. 7, 5
For pianoforte in C Major, Op. 7, 5 (BI 61) composed 1830-31.
Trio Op. 8
For pianoforte & viol& cello in G minor, Op. 8 (BI 25) composed 1829/early.
Nocturne Op. 9, 1
For pianoforte in B flat minor, Op. 9, 1 (BI 54) composed 1830-31/spring.
Nocturne Op. 9, 2
For pianoforte in E Flat Major, Op. 9, 2 (BI 54) composed 1830-31/spring.
Nocturne Op. 9, 3
For pianoforte in B Major, Op. 9, 3 (BI 54) composed 1830-31/spring.
Study Op. 10, 1
For pianoforte in C Major, Op. 10, 1 (BI 59) composed 1830/late autumn.
Study Op. 10, 2
For pianoforte in A minor, Op. 10, 2 (BI 59) composed 1830/late autumn.
Study Op. 10, 3
For pianoforte in E Major, Op. 10, 3 (BI 74) composed 1832/8/25.
Study Op. 10, 4
For pianoforte in C sharp minor, Op. 10, 4 (BI 75) composed 1832/8.
Study Op. 10, 5
For pianoforte in G Flat Major, Op. 10, 5 (BI 57) composed 1830/summer (?).
Study Op. 10, 6
For pianoforte in E Flat Major, Op. 10, 6 (BI 57) composed 1830/summer (?).
Study Op. 10, 7
For pianoforte in C Major, Op. 10, 7 (BI 68) composed 1832/spring.
Study Op. 10, 8
For pianoforte in F Major, Op. 10, 8 (BI 42) composed 1829/10 - 1829/11.
Study Op. 10, 9
For pianoforte in F minor, Op. 10, 9 (BI 42) composed 1829/10 - 1829/11.
Study Op. 10, 10
For pianoforte in A Flat Major, Op. 10, 10 (BI 42) composed 1829/10 - 1829/11.
Study Op. 10, 11
For pianoforte in E Flat Major, Op. 10, 11 (BI 42) composed 1829/10 - 1829/11.
Study Op. 10, 12
For pianoforte in C minor, Op. 10, 12 (BI 67) composed 1831/9 (?).
Concerto Op. 11
For pianoforte & orchestra in E minor, Op. 11 (BI 53) composed 1830/4-8.
Introduction and Variations on the 'Ronde' from Herold's 'Ludovic' Op. 12
For pianoforte B Flat Major, Op. 12 (BI 80) composed 1833/summer.
Grand Fantasia on Polish Airs Op. 13
For pianoforte & orchestra in A Major, Op. 13 (BI 28) composed 1828/11.
Among the Polish airs used are:
1. The folk song 'Juz miesiac zaszedl, psy sie uspily' ('Already the moon had set, the dogs were asleep')
2. An air by Karol (Kasimir) Kurpinski
3. A Kujawiak (see: Abraham, Gerald, "Chopin's musical style", London 1939, p. 23)
Krakowiak: Grand Concert Rondo Op. 14
For pianoforte & orchestra in F Major, Op. 14 (BI 29) composed 1828/11-12.
A Krakowiak is a Polish dance in 2/4 time of the Krakow district.
Nocturne Op. 15, 1
For pianoforte in F Major, Op. 15, 1 (BI 55) composed 1830-31 (Arthur Hedley says later, after Chopin's arrival in Paris).
Nocturne Op. 15, 2
For pianoforte in F Sharp Major, Op. 15, 2 (BI 55) composed 1830-31/spring (Arthur Hedley says later, after Chopin's arrival in Paris).
Nocturne Op. 15, 3
For pianoforte in G minor, Op. 15, 3 (BI 79) composed 1833.
Introduction and Rondo Op. 16
For pianoforte in E Flat Major, Op. 16 (BI 76) composed 1832.
Mazurka Op. 17, 1
For pianoforte in B Flat Major, Op. 17, 1 (BI 77) composed 1832-33.
Mazurka Op. 17, 2
For pianoforte in E minor, Op. 17, 2 (BI 77) composed 1832-33.
Mazurka Op. 17, 3
For pianoforte in A Flat Major, Op. 17, 3 (BI 77) composed 1832-33.
Mazurka Op. 17, 4 (1st version)
For pianoforte in A minor, Op. 17, 4 (BI 8) composed 1824/8.
This is the first version of BI 77 = Op. 17, 4
Mazurka Op. 17, 4
For pianoforte in A minor, Op. 17, 4 (BI 77) composed 1832-33.
Waltz Op. 18
For pianoforte in E Flat Major, Op. 18 (BI 62) composed 1831.
Introduction and Bolero Op. 19
For pianoforte in A minor, Op. 19 (BI 81) composed 1833.
Key changes to A Major.
Scherzo no. 1 Op. 20
For pianoforte in B minor, Op. 20 (BI 65) composed 1831/5-6, 1832 revised.
Concerto Op. 21
For pianoforte & orchestra in F minor, Op. 21 (BI 43) composed 1829/autumn - 1830/early.
1. Breitkopf & Haertel published an arrangement for pianoforte solo shortly after the 1st publication.
2. First known performance was privately in Chopin's home on 1830/3/3, with Kurpinski conducting. Public performance a fortnight later in National Theatre, Warszawa.
3. The work was called 'Second Concerto' on publication due to a delay in preparing the orchestral parts. In order of composition it is the first.
Grand Polonaise Op. 22
For pianoforte & orchestra in E Flat Major, Op. 22 (BI 58) composed 1830/9 - 1831/7.
Andante Spianato Op. 22
For pianoforte in G Major, Op. 22 (BI 88) composed 1834.
Ballade no. 1 Op. 23
For pianoforte in G minor, Op. 23 (BI 66) composed 1831/5-6 sketched, 1835 completed.
Mazurka Op. 24, 1
For pianoforte in G minor, Op. 24, 1 (BI 89) composed 1834-35.
Mazurka Op. 24, 2
For pianoforte in C Major, Op. 24, 2 (BI 89) composed 1834-35.
Mazurka Op. 24, 3
For pianoforte in A Flat Major, Op. 24, 3 (BI 89) composed 1834-35.
Mazurka Op. 24, 4
For pianoforte in B Flat Major, Op. 24, 4 (BI 89) composed 1834-35.
Study Op. 25, 1
For pianoforte in A Flat Major, Op. 25, 1 (BI 104) composed 1836/9 early.
Study Op. 25, 2
For pianoforte in F minor, Op. 25, 2 (BI 97) composed 1836/1.
Study Op. 25, 3
For pianoforte in F Major, Op. 25, 3 (BI 99) composed 1836.
Study Op. 25, 4
For pianoforte in A minor, Op. 25, 4 (BI 78) composed 1832-34.
Study Op. 25, 5
For pianoforte in E minor, Op. 25, 5 (BI 78) composed 1832-34.
Study Op. 25, 6
For pianoforte in G sharp minor, Op. 25, 6 (BI 78) composed 1832-34.
Study Op. 25, 7
For pianoforte in C sharp minor, Op. 25, 7 (BI 98) composed 1836/early.
Study Op. 25, 8
For pianoforte in D Flat Major, Op. 25, 8 (BI 78) composed 1832-34.
Study Op. 25, 9
For pianoforte in G Flat Major, Op. 25, 9 (BI 78) composed 1832-34.
Study Op. 25, 10
For pianoforte in B minor, Op. 25, 10 (BI 78) composed 1832-34.
Study Op. 25, 11
For pianoforte in A minor, Op. 25, 11 (BI 83) composed 1834.
Study Op. 25, 12
For pianoforte in C minor, Op. 25, 12 (BI 99) composed 1836.
Polonaise Op. 26, 1
For pianoforte in C sharp minor, Op. 26, 1 (BI 90) composed 1834-35.
Polonaise Op. 26, 2
For pianoforte in E Flat Major, Op. 26, 2 (BI 90) composed 1834-35.
Nocturne Op. 27, 1
For pianoforte in C sharp minor, Op. 27, 1 (BI 91) composed 1835.
Nocturne Op. 27, 2
For pianoforte in D Flat Major, Op. 27, 2 (BI 96) composed 1835/autumn.
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