Since the 20th century, abstract art's limits, no longer only have been use for to do for the practical style opposite. Embodiment, abstract and narrative content, in the Western abstract performance's development, has obtained had recognized. The compound intermediary material's use, has opened the form expression limitation, shows its rich vocabulary. After Kangdingsiji, Mengdelian vision esthetics exploration construction, regarding visual arts, “abstract” a word meaning, artist still in history of art deduction, promotes the meaning to the sociology, the art history and so on each stratification plane, causes to pull out likes the possibility which the topic presents, is broader. “the study” and “the experience”, causes people's values, appeared moved toward the same value crisis, thus caused person's individual to lose the independent personality tendency, but was unable to explain regarding the thing true phenomenon, the move and the province thinks. In life sense of being lost and lonely, also at the same time, in the people are unable to distinguish in more and more their process to produce. The drawing, the prompt and the outside communication's possibility, and reminds the people no longer to use the concept fetter eye, ties up angle which one watch and possible. Let exist in the mind the existing frame, liberates. Then some possibilities enable to exist in the spatial slight feeling, with the new scene, by the free atmosphere, bridges over our eye, enters our mind. Let illogical or must us is familiar with the picture thing, may also become the object which the eye realizes. Tries to open both eyes, activates people's mind, then vividly with enriches our life experience. the practical emotion subject corresponds frequently is clear, but abstract frequently provides by the color and the shape with the emotion correspondence element. When the element clue and the visual compatibility are opposed unluckily, view emotion expression frequently with difficulty hitting the mark painter mood center of gravity. The painter regarding the life scene, adopts one kind several nearly in the practical technique, can actually in the idea the bracelet “the inertia” the angle, by the brand-new observation, selects a scene picturesquely. But abstracts with the embodiment whether can in the picture coexisting subject, the painter often observe and the choices theme process, had already made the preliminary possible judgment. This kind of judgment ability, comes from the painter attempt to restore, with view thing essence “animalism” instinct. Only has by the instinct eye, the sounding material's subtle change, or observation material coexisting produces the new relations, can have in the visual fresh idea.
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